Martin Lodewijk & the Last Page @ NTR
Martin Lodewijk & the Last Page by director Koert Davidse will be broadcasted by NTR on Thursday April 23, 2015, on 23:00hrs. The broadcast is in Dutch, on channel NPO2.
Martin Lodewijk & the Last Page by director Koert Davidse will be broadcasted by NTR on Thursday April 23, 2015, on 23:00hrs. The broadcast is in Dutch, on channel NPO2.
Martin Lodewijk & the Last Page by director Koert Davidse will be on RTV Rijnmond television on Saturday April 18, 2015. First screening is at 17:00hrs, continued screenings up until 23:00hrs.
(Dutch spoken, no subtitles)
Jan-Dirk Bouw’s I Love Hooligans is selected for the G12: Generation Community program during Go Short 2015.
Screenings are at:
Friday, April 10 2015: 17:30hrs
Sunday, April 12 2015: 17:00hrs
Look here for the Go Short website
Pim Zwier’s short version (56 mins) of ‘Never a Dull Moment’ has its rerun on the Joodse Omroep on Sunday April 26, 2015 (the rerun of the rerun is scheduled for Saturday May 2, 2015)
from January 30, 2015 until May 10, 2015 Kunsthal KaDE presents: Move On… 110 years of animated art, with three seriousFilm related productions we are well represented; have a look here, to see the works of Jasper Kuipers ‘Finity Calling’, Floris Kaayk ‘the Modular Body’ (as part of the ‘one minute’ selection), and Serge Onnen’s ‘Cloacinae’ in the exhibition
Swedish Television SVT has acquired Koert Davidse’s short ASIAN DELIGHT – on a collector of Chinese erotica – for broadcasting
Koert Davidse’s short on languages in extinction LAST WORDS is selected for the Ethnografilm festival 2015 in Paris, and for the International Film Festival of Lanzarote 2015
Geert Mul’s short CROWDS premiered at the International Film Festival Rotterdam on Thursday January, 2015
Pim Zwier’s documentary based upon the autobiography of Dutch photographer Sam Waagenaar ‘Never a Dull Moment’ is scheduled for television on Sunday December 15 at 15:00hrs. The Joodse Omroep will screen the 55 minutes version on NPO 2. In this remarkable documentary the director uses archival materials only to bring forward the life and times of his protagonist.